Wikipedia

Laylah Ali

Laylah Ali (dem born am for1968)[1] be an American contemporary visual artist. She be known for paintings insyd wich ambiguous race relations dey depict plus a graphic clarity ein cartoon strip format.[2] She lives insyd Williamstown, Massachusetts,[1] den be a professor at Williams College.[3]

Laylah Ali
human
Ein sex anaa genderfemale Edit
Country wey e be citizenUnited States Edit
Family nameAli Edit
Ein date of birth9 May 1968 Edit
Place dem born amBuffalo Edit
Ein occupationpainter, visual artist, illustrator Edit
Field for workart of painting Edit
Educate forWashington University in St. Louis, Williams College, Nichols School, Skowhegan School of Painting and Sculpture Edit
ResidenceWilliamstown, Buffalo Edit
Work period (start)1995 Edit
Work period (end)2016 Edit
Ethnic groupAfrican Americans Edit
Award e receiveWilliam H. Johnson Prize Edit
Dema official websitehttp://paulkasmingallery.com/artist/laylah-ali Edit
Copyright status as creatorworks protected by copyrights Edit
Artist files atSmithsonian American Art and Portrait Gallery Library Edit

Early life den education

edit

Insyd ein youth, Ali originally dey intend to be a lawyer anaa a doctor.[4]

Ali receive her B.A. degree (English ein studio art) from Williams College, Williamstown, MA insyd 1991.[5] She dey participate insyd de Whitney Independent Study Program at de Whitney Museum of American Art, New York City insyd 1992, ein complete a residency at de Skowhegan School of Painting and Sculpture, Skowhegan, ME insyd 1993. Ali dey receive ein M.F.A. degree insyd 1994 from de Sam Fox School of Design & Visual Arts at Washington University in St. Louis.

Work

edit

Insyd Ali's earlier work, she would draw anaa paint somthing violent. She focuse more for de action dan de violence itself. Insyd her current work, there be not a lot of focus on de act; she be more attentive to wat happens before ein after.[6] Laylah's work dey get a unique feature of including a level of emotion. She uses bright colors den cartoons to portray current events ein socio-political ideas. She uses dis unique approach of not using a specific event, so de audience fi think through de art ein have their own perception.[7]

De works are small scale gouache paintings den drawings for paper. She be known to prepare for many months, planning out every detail so there be no room for mistakes. Ali's work be based on life experiences. Although one may not be able to tell, she says all of ein work holds meaning den dat wat's insyd her mind transcends from her hands on paper.[8] About de performative nature of her work, Ali says, "De paintings fi be like crude stages anaa sets, de figures like characters insyd a play. I think of dem equally as characters den figures."[9]

Ali's work include an artistic lens of caricature. According to Charlotte Seaman, "Ali’s work be not ground insyd de academic tradition, however, it be inform by de rich history of caricature, especially as humorous anaa mocking social commentary". Ali use a unique idea of caricature, Seaman states "Ali uses de visual language of cartoons, comics, ein to some extent caricatures. Notably, though, ein work be oppose to racial caricature insyd dat it does not exaggerate features of an individual – rather de opposite: it turns individuals into signs anaa ciphers of generalized (though still dey racialize) human experience"[10]

The Greenheads Series

edit

De subject of Ali's most well-known gouache paintings are Greenheads– characters design to minimize, eliminate den interrogate categorical differences of gender, height, age, den insyd sam ways race.[11][12] Ali dey create more dan 80 of these paintings between 1996 ein 2005. Ali draw on imagery ein topics from newspapers, such as images of protest signs anaa world leaders hugging, but dey tweak de stories in order to create samthing distant den new. Ali design de characters ein images to be specific ein yet vague. Dm get meaning from Ali herself but de viewer brings dem own references to interpret de image as well. Ali design de characters to look human-like but not quite human so dat they would be remove from our world ein social context. They have a socio-political meaning yet they exist outside of our world.[13]

De Acephalous Series

edit

Since 2015, Ali has been working for paintings she calls The Acephalous Series, featuring figures describe as gender conscious, potentially sexual anaa sexualized, sam of wich have racial characteristics ein sam of wich do not have heads. "They are on an endless, determined trek, a multi-part journey," she says, "It has elements of a forced migration."[9]

Collaborations

edit

Insyd 2002, de Museum of Modern Art, New York, dey commission Ali to create a wordless graphic novelette.[14] De artist dey collaborate plus dancer den choreographer Dean Moss at The Kitchen insyd 2005 ein at MASS MoCA insyd 2006 plus figures on a field.[15] Dem later dey premier a performance at Some sweet day at MoMA, New York insyd 2012. John Brown Song! be an online project launch by de Dia Art Foundation insyd 2013.[16] Ali's outdoor billboard project for Walker without Walls at the Walker Art Center be document on season 3 of de PBS series Art21: Art insyd de Twenty-First Century.[17]

Collections

edit

Ali's works dey include insyd de permanent collection of numerous public institutions, including de Buffalo AKG Art Museum, Buffalo, NY; de Museum of Contemporary Art Chicago; RISD Museum, Providence, RI; de Walker Art Center, Minneapolis, MN; ein de Whitney Museum insyd New York City.[18]

Exhibitions

edit

Selected solo ein group exhibitions

edit

Laylah Ali dey exhibit insyd both de Venice Biennale (2003) ein de Whitney Biennial (2004).[8] Oda exhibitions dey as follows:

Awards

edit

Dem award Laylah Ali a number of grants, residencies ein awards, including de Joan Mitchell Foundation Painters den Sculptors Grant insyd 2008,[23] de Joan Mitchell Foundation Residency insyd 2018,[24] de United States Artists Fellowship,[25] as well as being honor as an artist-in-residence at Dartmouth College, Yaddo, Headlands Center for the Arts, ein Skowhegan School of Painting den Sculpture.

References

edit
  1. ↑ 1.0 1.1 Baker, Alex (2007) Laylah Ali: Typology. Pennsylvania Academy of the Fine Arts. p. 47. ISBN 9780943836300
  2. ↑ Cotter, Holland (2000). "ART IN REVIEW; Laylah Ali". The New York Times. No. June 30. Retrieved 17 March 2015.
  3. ↑ "Laylah Ali: The Greenheads Series". museum.cornell.edu. Herbert F. Johnson Museum of Art, Cornell University. Retrieved 17 March 2015.
  4. ↑ "Laylah Ali on Greenheads, Violence in Art, and More". BU Today. Retrieved 2016-03-05.
  5. ↑ "Paul Kasmin Gallery - Laylah Ali". paulkasmingallery.com (in English). Archived from the original on 2018-03-04. Retrieved 2018-03-03.
  6. ↑ Sollins, Susan (2005). Art 21: art in the 21st century 3. Purchase College. pp. 28. ISBN 081095916X.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ↑ "Laylah Ali". Art21 (in English). Retrieved 2023-12-12.
  8. ↑ 8.0 8.1 "Laylah Ali". Art21.org (in English). Archived from the original on 6 August 2021. Retrieved 18 February 2022.
  9. ↑ 9.0 9.1 "Juxtapoz Magazine - Laylah Ali: Bodies in Notion". www.juxtapoz.com. Retrieved 2016-03-05.
  10. ↑ cseaman. "Laylah Ali: Drawing Power, Play, and Violence | Drawing Connections" (in American English). Retrieved 2023-12-12.
  11. ↑ Ali, Laylah. "Interview." Laylah Ali. By Rebecca Walker. The Institute of Contemporary Art, Boston, 2001.
  12. ↑ Template:Cite AV media
  13. ↑ Ali, Laylah; Rothschild, Deborah; Museum of Art. (2012). Laylah Ali, the Greenheads series: [accompanies the exhibition "Laylah Ali: the Greenheads series" presented at Williams College Museum of Art, Williamstown, Massachusetts, August 18 - November 25, 2012; Weisman Art Museum, University of Minnesota, Minneapolis, March 2 - June 30, 2013; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, September 7 - December 22, 2013 (in English). S.l.: s.n. ISBN 9780913697306. OCLC 843494121.
  14. ↑ "The Believer - Interview with Laylah Ali". The Believer (in English). 2005-12-01. Retrieved 2017-03-11.
  15. ↑ Cornuelle, Kimberly (4 November 2010). "Laylah Ali on Greenheads, Violence in Art, and More". Boston University. Retrieved 17 March 2015.
  16. ↑ "What Could the Internet Be? Dia's Online Projects". Rhizome (in English). 2013-08-13. Retrieved 2024-06-09.
  17. ↑ "Laylah Ali in". Art21 (in English). Retrieved 2024-07-07.
  18. ↑ "Paul Kasmin Gallery - Laylah Ali". paulkasmingallery.com. Archived from the original on 2016-03-05. Retrieved 2016-03-05.
  19. ↑ "Laylah Ali: Not Self Portraits". KSMoCA — King School Museum of Contemporary Art (in American English). Retrieved 2024-08-16.
  20. ↑ "Black Pulp!". Print Center New York (in American English). 2016-12-19. Retrieved 2024-06-09.
  21. ↑ Ali, Laylah; DeCordova Museum and Sculpture Park (2008-01-01). Laylah Ali: note drawings (in English). [Lincoln, MA?]: Decordova Museum and Sculpture Park. ISBN 9780945506591. OCLC 286493089.
  22. ↑ "Laylah Ali Paintings on Paper | MASS MoCA" (in American English). 2016-04-20. Retrieved 2024-06-09.
  23. ↑ Foundation, Joan Mitchell. "Joan Mitchell Foundation » Artist Programs » Artist Grants". joanmitchellfoundation.org (in English). Retrieved 2018-01-12.
  24. ↑ "Joan Mitchell Foundation Names Artists for Its 2018 Residency Program". www.artforum.com. 8 February 2018. Retrieved 2018-02-13.
  25. ↑ "United States Artists Taps Baltimore-based Deana Haggag as President and CEO | Culture Type". www.culturetype.com (in American English). 31 January 2017. Retrieved 2018-02-13.
Dem retrieve am from "https://gpe.wikipedia.org/w/index.php?title=Laylah_Ali&oldid=43578"